Undressing the native mounted police: paint composition of a sorcery motif in Southern Cape York Peninsula
dc.contributor.author | Huntley, J | en_AU |
dc.contributor.author | Cole, N | en_AU |
dc.contributor.author | Musgrave, C | en_AU |
dc.contributor.author | Rangers, L | en_AU |
dc.contributor.author | Dotte-Sarout, E | en_AU |
dc.contributor.author | Stalla, D | en_AU |
dc.contributor.author | MacDonald, B | en_AU |
dc.contributor.author | Brand, HEA | en_AU |
dc.contributor.author | Burke, H | en_AU |
dc.contributor.author | Wallis, LA | en_AU |
dc.date.accessioned | 2025-04-17T06:57:49Z | en_AU |
dc.date.available | 2025-04-17T06:57:49Z | en_AU |
dc.date.issued | 2014-12-03 | en_AU |
dc.date.statistics | 2025-03-27 | en_AU |
dc.description.abstract | Paints have the potential to encode information in every part of their preparation and use (in European parlance ‘chaîne opératoire’). Here, we report scanning electron microscopy for both chemical and anthracological analyses, as well as synchrotron powder diffraction results characterising a composite paint used to create a grey shirt on one of several Native Mounted Police motifs at the Crocodile 1 Rockshelter on Crocodile Station, Quinkan Country. Known to senior Traditional Owners as sorcery figures, the description of the paint provides additional information regarding the selection of materials by artists whose intention was to exercise power and agency in countering the violent attacks of the Native Mounted Police during the 1870s and 1880s. © The Authors | en_AU |
dc.identifier.booktitle | AAA 2024 Sharing Archaeological Narratives Abstract Booklet | en_AU |
dc.identifier.citation | Huntley, J., Cole, N., Musgrave, C., Rangers, L., Dotte-Sarout, E., Stalla, D., MacDonald, B., Brand, H. E. A., Burke, H., & Wallis, L. A. (2024). Undressing the native mounted police: paint composition of a sorcery motif in Southern Cape York Penisula. Presentation to the Australian Archaeological Association Annual Conference 2024, Cairns, Queensland, 3-6 December 2024. In AAA 2024 Sharing Archaeological Narratives Abstract Booklet, (pp. 50). Retrieved from: https://www.aaaconference.com.au/2024/wp-content/uploads/2024/11/AbstractBooklet.pdf | en_AU |
dc.identifier.conferenceenddate | 2024-12-06 | en_AU |
dc.identifier.conferencename | Australian Archaeological Association Annual Conference 2024 | en_AU |
dc.identifier.conferenceplace | Cairns, Queensland | en_AU |
dc.identifier.conferencestartdate | 2024-12-03 | en_AU |
dc.identifier.pagination | 50 | en_AU |
dc.identifier.uri | https://www.aaaconference.com.au/2024/wp-content/uploads/2024/11/AbstractBooklet.pdf | en_AU |
dc.identifier.uri | https://apo.ansto.gov.au/handle/10238/16145 | en_AU |
dc.language.iso | en | en_AU |
dc.publisher | Australian Archaeological Association | en_AU |
dc.subject | Cultural objects | en_AU |
dc.subject | Paints | en_AU |
dc.subject | Scanning Electron microscopy | en_AU |
dc.subject | Diffraction | en_AU |
dc.subject | Synchrotrons | en_AU |
dc.subject | Queensland | en_AU |
dc.subject | Australia | en_AU |
dc.title | Undressing the native mounted police: paint composition of a sorcery motif in Southern Cape York Peninsula | en_AU |
dc.type | Conference Abstract | en_AU |
Files
License bundle
1 - 1 of 1
Loading...
- Name:
- license.txt
- Size:
- 1.63 KB
- Format:
- Item-specific license agreed upon to submission
- Description: